tamil cinema wallpaper

tamil cinema wallpaper


Tamanna Hot New Images

Posted: 03 Mar 2012 04:03 AM PST

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Jonita Doda Photo Gallery

Posted: 03 Mar 2012 03:31 AM PST

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Adhinayakudu audio release on March 8

Posted: 03 Mar 2012 02:53 AM PST

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Bala Krishna starrer 'Adhinayakudu' audio is going to hit markets without any audio launch function on March 8.

The producer of the film M.L Kumar Chowdhary said that "Music director Kalyani Malik has composed very good tunes that will suit Bala Krishna's image. We are sure that they would top the chart busters after its release. Aditya Music Label is acquired the film the audio rights and they will release the audio on March 8."

The film has Lakshmi Rai and Saloni in the female lead roles and Kota Srinivasa Rao, Brahmanandam, Charan Raj, MS Narayana and Venu Madhav supporting roles. It was directed by Parachuri Murali.

Kalyani Malik is scored music for the film. Vijay C. Kumar is handling cinematography and editing by Kotagiri Venkateswara Rao.

'Adhinayakudu' is expected to hit the screens on March 23, 2012.

Headhunters Movie First Look

Posted: 03 Mar 2012 02:30 AM PST

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Dammu Audio launch on March 23

Posted: 03 Mar 2012 02:23 AM PST

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Junior NTR starrer 'Dammu' shooting is going to end in a few days and now the filmmakers has revealed the audio launch date and the movie release date.

The film audio will be launch on March 23rd at the Shilpa Kala Vedika in Hyderabad. 'Dammu' will be hit the screens on April 19th, 2012.

'Dammu' has Trisha and Karthika in female lead role and Jr. NTR will be seen in two get-ups. It was directed by Boyapati Sreenu and produced by Alexander Vallabha and KS Ramo Rao under the banner of creative commercials.

Keeravani is scored music for the film and the film album has 6 songs including a theme music.

ParaNorman Movie Posters

Posted: 03 Mar 2012 02:00 AM PST

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The Croods Movie First Look

Posted: 03 Mar 2012 01:53 AM PST

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Ashlee Simpson Images

Posted: 03 Mar 2012 01:45 AM PST

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Katy Perry to star in Opera biopic

Posted: 02 Mar 2012 10:13 PM PST

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Pop star Katy Perry is in line for a role in a biopic of opera singer Paul Potts.

The 27-year-old discussed the project with producer Harvey Weinstein at his pre-Oscars party last weekend.

She will reportedly play the wife of Potts, who won the first series of singing reality show "Britain's Got Talent" in 2007.

"I was talking to Katy about a new project, a possible dramatic role in the Paul Potts movie, which will be shooting in England soon. We'd really like someone like Katy or Adele to play the role of Potts' wife, and Katy seemed genuinely interested," contactmusic.com quoted Weinstein as saying.

Okkadine Movie Stills

Posted: 02 Mar 2012 09:54 PM PST

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Bommali Movie Stills

Posted: 02 Mar 2012 09:40 PM PST

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Binami Velakotlu Movie Stills

Posted: 02 Mar 2012 09:33 PM PST

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Paan Singh Tomar Movie Review

Posted: 02 Mar 2012 09:17 PM PST

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Cast: Irrfan Khan , Vipin Sharma , Mahie Gill
Director: Tigmanshu Dhulia
Producer: Ronnie Screwvala
Music: Abhishek Ray
Rating: 3.5/5







Some films are meant to run that extra mile to go beyond being a mere cinematic experience. As we see names of real-life athletes who died unsung flash across the screen at the end of "Paan Singh Tomar" we realize what we've just witnessed in the past 190 minutes of taut playing-time is not just film. It's a treatise on what destiny has in store for people who do not conform to socially-acceptable definitions of success.

Indeed Irrfan Khan as Paan Singh Tomar typifies that criminal neglect of all athletes in our country barring cricketers who, as we all know by now, are grossly overrated sportsperson.

Tomar was a steeplechase runner. Not that it made any difference to his destiny. In the army for the long innings Tomar, we are told, took voluntary retirement to look after his family and land in his native village.

This is where Dhulia's riveting screenplay, where not a moment is squandered in self-indulgent editing, gets truly astounding. Abandoning the manageable hurdles of the steeplechase Tomar took to the gun to avenge the wrong done to his family.

There are hurdles, and hurdles. And some impossible to overcome.

The two lives of Paan Singh Tomar, in the army as a celebrated sportsperson and as an outlaw on the run in the Chambal valley (not on a horse, please!) are brought together in a stirring blend of the brilliant and the haunting.

While Dhulia's earlier works suffered for the lack of a suitable budget "Paan Singh Tomar" is technically a polished piece of cinema with the editing (Aarti Bajaj) and background score (Sandeep Chowta) adding a dimension beyond the drama of the driven athlete.

The film is shot by cinematographer Aseem Mishra with an intriguing blend of a bleeding authenticity and a poetic resplendence. Indeed, Tigmanshu Dhulia's training as a racounteur of a tale of social injustice and damnifying outlawry, harks back to the director's association with Shekhar Kapoor's "Bandit Queen".

In portraying Paan Singh's leap from celebrated athlete to wanted bandit, Dhulia avoids the ostentatious brutality of the circumstances that made Phoolan Devi a social outcast. "Paan Singh Tomar" has very little on-screen violence. It's the heart that bleeds profusely and invisibly in almost every frame.

The unspoken question, why do we treat our athletes so shabbily, trails the narrative, as does the other larger question of social inequality and the subversion of law.

Unlike other films with a strong social message "Paan Singh Tomar" never stops being a truly liberating cinematic experience. Of course much of the credit for the film's sledgehammer effect goes to Irrfan Khan's central performance. As Paan Singh Irrfan is in one word, flawless. There is not a single shot in the film that he gets wrong. He follows his character's destiny with an intuitive alertness that leaves no room for ambiguity in the interpretation of the character's complex life. And it's not just about getting the character's spoken language and body language right. Irrfan goes way beyond.

Would the other grossly overrated Khans of our cinema kindly watch Irrfan's performance?

The dialogues range from the t to the refreshing. Comments on subordination and oppression are often laced in laughter. God knows we need a sense of humour to survive the progressive rampancy of socio-political injustice .

The beauty of watching Irrfan transform into Tomar is the seamless leap the actor takes into the character. Irrfan is blessed with first-rate supporting actors, many of whom we haven't seen much on screen before. They add to the film's high level of authenticity by just not looking like and speaking their lines like actors.

The scenes showing Irrfan running with other actors are beautifully captured as moments of metaphorical significance. Somewhere down the line the scenes showing Tomar jumping over hurdles on the race track merge into the larger picture to tell us, life on field and life outside the race track have one thing in common. You have to keep running, no matter what the odds.

Paan Singh Tomar is a terrific edge-of-the-seat entertainer. The synthesis of two genres-the sports film and the dacoit drama-is done with such confident ingenuity that we hardly realize when one ends, the other begins.

"No one gave a damn about me when I won medals for the country. Today when I'm a baaghi(rebel) everyone wants to know about Paan Singh Tomar," Irrrfan says caustically.

Hopefully after this film we'd learn to care for our unsung heroes a bit more.

Oh yes, a word on the stunning soundtrack. From snatches of old Lata Mangeshkar melodies to radio announcements on Nargis Dutt's demise, time passages are achieved through incidental snatches of voices caught in mid-air.

Life's life that.You never know what you will experience in that raga we call existence until a snatch of a line hits you from a distance.
Verdict: A rare cinematic treat

 3.5

London Paris New York Movie Review

Posted: 02 Mar 2012 08:25 AM PST

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Cast: Ali Zafar , Eric Geynes , Chris Cowlin , Samantha Spurgin , Aditi Rao Hydari
Director: Anu Menon
Producer: Goldie Behl, Shrishti Arya
Banner: Fox Star Studios, Rose Movies
Music: Zafar Ali
Rating: 3/5






If only Siddharth Anand's "Anjaana Anjaani" was funnier, warmer, more kindered in spirit and less burdened by the responsibility of making the pair look at home on foreign shores, it could have conveyed the pleasure quotient of "London Paris New York" (LPN).

Indeed debutante writer-director Anu Menon imparts a talcum-freshness into a tale that has only two principal characters - He and She. And what happened to mama, papa, chacha, chachi?

Luckily, for Anu Menon the lines that she puts into the mouths of her lead pair simply melt in their mouths. The dialogues that could make or fake a romantic-comedy, seem to work mainly because the actors promptly absorb the words and make them their home.

Unlike other singers-turned-actors, Ali Zafar doesn't sound like a singer when he talks. He is, in fact, a big bonus in this kabhi-sassy-kabhi-glum take on that thing called love. Ali gives just that bit of extra push to the less perky scenes. His ebullience and involvement with the romantic aspect of the script seems sensible, cautious but not over-studied.

Aditi Rao Hydari was star material from the time she stood behind Sonam Kapoor in "Delhi 6″. Come forward, girl, take a bow as we say a collective wow. Here she comes into her own. This time she has no torrid smooching scenes, no tumultuous moment to show what a bitch that thing called love can be. She manages to convey a cool coquettishness which is never stagey or annoying.

Quite a pair, this. Having got them in place Menon glides gently if a little languorously through the three cities mentioned in the title creating an arching kinship between her co-stars who look more like pals than lovers.

Nikhil (Ali) and Lalita (Aditi) don't seem like the kind of couple that would spend too much time in bed once they're married. And that suits the audiences fine.

God knows we've seen enough couples trying to sleep if not sleepwalk through romantic-comedies. LPN takes the guarded, serene, low-speed lane in the highway of love. The three cities emerge as the true heroes of the plot, thanks in no small measure to veteran cinematographer Sameer Arya who lenses the three cities with the love of someone who's been there and done it all, and not on a tourist visa.

The film's biggest advantage is its casual non-ostentatious calm and easygoing mood. Don't look for specially-written scenes to spotlight the couple's journey into the three phases of their life as they seek to find answers to the conundrum of the heart.

Not too many secrets on the emotion called love are unveiled in this comme ci comme ca romantic-comedy. But the going is never amateurish. Most importantly "London Paris New York gives us two new dependable engaging stars.

More than another romantic-comedy, we need those. Desperately.
Verdict: Travel on highway of love

 3

London Paris New York Movie Promotion Images

Posted: 02 Mar 2012 08:01 AM PST

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Chhodo Kal Ki Baatein Movie Music Launch Images

Posted: 02 Mar 2012 07:50 AM PST

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Ex-boyfriend not interested in Kim Kardashian

Posted: 02 Mar 2012 07:34 AM PST


 Kim Kardashian has been left devastated after being told by her ex-beau Reggie Bush that he just wants to be friends.

The 31-year-old was trying to reconcile her romance with Bush following the collapse of her short-lived marriage to Kris Humphries, but he isn't interested.

"She thought Reggie would take her back after the whole Kris Humphries debacle. Reggie's her one true love. He could easily fire things up with Kim now, but he's chosen not to," contactmusic.com quoted a source as saying.

"Reggie likes hanging out with Kim, but he's not into all the publicity. He's pretty much told her, 'I don't love you like that anymore; we're just friends'," the source added.

Kamal Snapped At Mehboob Studio Images

Posted: 02 Mar 2012 07:09 AM PST

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LiLo takes life lessons from 'bad experiences'

Posted: 02 Mar 2012 06:01 AM PST


Actress Lindsay Lohan admits that she has learned from her bad decisions

The 25-year-old feels that she doesn't need any more "negative stuff" in her life and wants to put her bad times behind her.

"I regret the choices that I've made, but I'm grateful for where I am today because of them. I don't need to see any more negative stuff, I don't need to put myself in those places anymore," showbizspy.com quoted Lohan as saying.

"It's been a learning experience and I'm glad that I experienced it. I'm grateful that I've learned from it. It's helped me, it's humbling," she added.

Chennai Box Office March 02, 2012

Posted: 02 Mar 2012 05:33 AM PST

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Chennai Box Office March 02, 2012
Rank Movie Weeks Shows Screens
1AravaanNew17137
2Kadhalil Sodhapuvadu Yeppadi37519
3Muppozhudhum Un Karpanaigal35821
4Ambuli 3D35016
5Kondaan KoduthaanNew247
6Dhoni4188
7Nanban81512
8YaarNew83
9Marina565
10Vettai855
11Udumban343
12Kadhal Padhai232
13Shankar Oor RajapalayamNew33
147am Arivu1911


[Note : This box office report is based on Number of Shows and Screens of the film]